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Photo Series: Pressures
By Grant Stirton, December 2, 2014 @ 05:00 AM (EST)

 

As problems mount, we rush to put out one fire, while another is left to burn … eash of these problems puts underwater ecosystems under more “pressure.”

Off the west coast of Thailand in the Andaman Sea lies a group of islands known as the Similan and Surin Islands National Marine Park. Jacques Cousteau christened the region’s hallmark dive site, Richelieu Rock, on account of the red and purple soft corals that cover the stunning offshore pinnacle.

Much has changed in the decades since Cousteau’s visit. Today, the marine park is teetering on the verge of collapse with human development and resource exploitation taking their toll. As is often the case in developing nations, corruption and overfishing go hand-in-hand, with a lack of oversight causing fish populations to decline dramatically. 

It is an odd spectacle to witness a fishing fleet moored next to your dive boat inside a protected area. Once large schools of barracuda, trevally, emperor and snapper have now become only occasional sightings for divers. All of this occurs in the shadow of the devastating 2004 tsunami that paralyzed the Thai people and took an equal toll on the region’s fragile coastal ecosystems.

Each image in this story is about one of these “pressures.” Over a season, I followed along with groups of divers each day, documenting their experience, but also documenting my own. I wanted to understand why this beautiful place, which seems so beloved, is being torn apart, and to hope that we can shift what, at this point, sadly appears to be inevitable.
 

Large schools of barracuda are becoming more and more difficult to see within the sanctuary, where overfishing has caused a significant drop in overall numbers.
 

Photo Tip: The opportunity to swim within a school of barracuda is a moment of pure connection with Nature. Rather than chase them, try circling around slowly from the deepest point and allow them to approach you. Often they will school around any fixed or floating object in the water.


Many dive boats don’t realize the impact they have on the marine environment. Along with rabbitfish and sergeant majors, the local titan triggerfish have become habituated to discarded food waste, becoming very excited and often acting aggressively towards divers and snorkelers on the surface.
 

Large green moray eels are fixtures on the world’s tropical coral reefs, the Similan Islands included.  Unfortunately, they’ve been conditioned to accept food from divers, resulting in a local diving guide losing a finger.
 

The Similan Islands are a sanctuary for the endangered green sea turtle. One rather friendly turtle, nicknamed Oscar, has become habituated on account of being fed from the various dive boats, changing his daily feeding habits and putting him in danger of being hit by a passing boat.
 

Policing the appropriate catch limits and boundaries for the local fishing fleets is a serious issue. Here, a number of fishing boats shelter at a popular tourist island nicknamed “Sail Rock” within the main Marine Sanctuary.
 

Photo Tip: Providing context to an underwater or marine related story often begins on the shore or boat. Capturing a wide shot or a general view of events can be very helpful in telling a story.


The tsunami of 2004 had a devastating impact on the western coast of Thailand, including the Similans. Pictured at Koh Bon, where the sloping reef was ideally positioned to take the force of the rolling wave, today it resembles a graveyard, with broken acropora coral covering the western ridge.
 

Photo Tip: Often, big events require wide angles to convey the complete situation. A fisheye lens can be a great tool to convey space. When pointing the camera slightly down while hovering over the reef slope, the distortion caused by the lens blends in with curvature of the reefscape, minimizing the obvious use of the fisheye.  


A small group of indigenous sea gypsies, known locally as the “Moken,” have been allowed to settle in a few small villages inside the marine park. The fishing grounds and territory of these traditionally sea-faring fisherman have been eroded away by development. Today, many have been forced to settle and, losing most of their economic capacity, have resorted to selling trinkets to tourists.
 

Photo Tip: An environmental portrait is a key storytelling tool documentary photographers use to convey a lot of information in scene. It can help to remind yourself of the “who,” “what,” “where,” “when” and “why” in regards to your subject matter when you’re arranging elements in a composition.  


The Thai squid fishing fleet is a fixture at sunset on the horizon. Most nights there are too many boats to count, other than a constant stream of lights in the distance.
 

A rare clown shrimp species has made its home inside a discarded fishing net. Human waste, especially discarded plastics, have become a serious problem within the park. Some beaches in the Surin Islands to the north are covered in plastic and rubbish of all kinds.
   

Photo Tip: A time-tested compositional technique used by many photographers is called “framing”—for instance, a discarded fishing net becomes a foreground element and provides a context for the subject. In these situations, it can be helpful to experiment with depth of field, focusing on both the foreground and background elements, which will produce quite different results.

 



Check out more of Grant Stirton’s work on his website.

 

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