The organizers of the Underwater Awards Australasia 2024—DPG, Underwater Australasia, and UW Images—are proud to announce the winners of the inaugural edition of the underwater imaging competition focused on the Australasian region. The winning entries were revealed on stage today, September 28th, 2024, at Go Diving Show ANZ in Sydney, Australia.

The competition called for passionate underwater shooters from around the world to submit their most captivating and compelling images and videos from the Australasian region. Shooters were invited to immerse themselves in the challenge of capturing the essence of this extraordinary realm, where every frame tells a story of the delicate balance and breathtaking beauty that characterises our oceans.

Entrants competed in eight categories for prizes worth more than A$50,000 in total, including dive trips with the world’s top resorts and liveaboards, as well as the latest underwater photo and video gear. The prestigious judging panel comprised Tobias Friedrich, Jayne Jenkins, Brett Lobwein, Ross Long, Matty Smith and William Tan.

The overall winner of the competition—the “Best of Show”—was Gabriel Guzman with his captivating collection of beautifully executed sunburst images, which took the top spot in the Portfolio category. The other category winners were Talia Greis (Sydney), Jenny Stock (Over-Under), Selanie Waddilove (Smartphone), Emma Turner (Environmental), Lewis Burnett (Australian), Luc Rooman (International Waters), and Ste Everington (Reels Showcase).

The organizers would like to extend their congratulations to all the winners, runners-up and honorable mentions, as well as their thanks to everyone that entered the competition. The organizers would also like to express their immense gratitude to the contest’s esteemed judges and generous sponsors, without whom the competition would not have been possible. The exhibited metal prints of the winners and runners-up are available for purchase at the show, with the generous permission of the photographers. Half of the proceeds will be donated to the competition’s environmental partner Take 3 For The Sea.

Discover the winning entries below or check out UnderwaterCompetition.com.

 

UNDERWATER AWARDS AUSTRALASIA 2024 PRIZE SPONSORS

 

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Underwater Awards Australasia 2024
The Winners

 

Portfolio

Best of Show: Portfolio – Gold – “The Sun and Sea Creatures” by Gabriel Guzman (Chile/Australia)
 

Shooting Locations (clockwise from top-left): Lady Elliot, Great Barrier Reef; Coral Bay, Western Australia; Nusa Penida, Indonesia; Saxon Reef, Great Barrier Reef; Norman Reef, Great Barrier Reef; Moore Reef, Great Barrier Reef

Equipment and Settings (clockwise from top-left): Canon EOS 5DSR, Aquatica housing, 2x Inon Z-330 strobes, f/9, 1/160s, ISO 400; Canon EOS 5DSR, Aquatica housing, 2x Ikelite DS160 strobes, f/16, 1/200s, ISO 200; Canon EOS 5DSR, Aquatica housing, 2x Inon Z-330 strobes, f/9, 1/200s, ISO 320; Nikon D500, Aquatica housing, 2x Ikelite DS160 strobes, f/14, 1/200s, ISO 250; Canon EOS 5DSR, Aquatica housing, 2x Ikelite DS161 strobes, f/14, 1/250s, ISO 250; Canon EOS 5DSR, Aquatica housing, 2x Inon Z-330 strobes, f/13, 1/200s, ISO 250

Photographer’s Comment: “Sunburst photography is a technique that utilises the sun as a focal element to enhance the visual impact of underwater images. By positioning the subject in front of the sun, the resulting rays create a natural halo effect, adding depth and drama to the scene. This approach emphasises the interaction between light and the marine environment, making the subject stand out in a striking manner. This portfolio includes six images: a stingray, a lionfish, a manta ray, a turtle, a humphead wrasse, and a titan triggerfish. These species were captured through a blend of planned shots and spontaneous opportunities. While most images feature the classic sunburst effect, the photo of the stingray is unique. Taken during the golden hour, it captures the sun’s rays penetrating the water with a warm, golden hue, creating a different but equally captivating atmosphere. This technique has captivated me for years, and I’ve dedicated considerable time to practising. Achieving the perfect sunburst shot is not easy. It requires ideal conditions, including calm waters for the sunrays to penetrate clearly, full sunlight, and the subject positioned as close to the surface as possible. The creature must be in exactly the right spot, and one needs to have one’s camera and strobes set perfectly to capture the moment. The process involves many failed attempts, as the alignment of all these factors is rare. This portfolio represents the best of those efforts—a collection of images where everything finally came together.”

 

Portfolio – Silver – “The Minke Whale” by Marcia Riederer (Australia)
 

Shooting Location: Great Barrier Reef, Queensland

Equipment and Settings (clockwise from top-left): Canon EOS 5D Mark IV, Nauticam housing, f/7.1, 1/200s, ISO 500; Sony A7R Mark V, Isotta housing, f/6.3, 1/250s, ISO 1000; Sony A7R Mark V, Isotta housing, f/6.3, 1/200s, ISO 500; Sony A7R Mark V, Isotta housing, f/11, 1/250s, ISO 400; Sony A7R Mark V, Isotta housing, f/8, 1/200s, ISO 400; Sony A7R Mark V, Isotta housing, f/10, 1/250s, ISO 1600          

Photographer’s Comment: “These images are a selection of my favourite moments during my eye-to-eye encounters with curious dwarf minke whales. I was fortunate to have four days of stunning weather and outstanding sea conditions on a liveaboard dedicated to interactions with minke whales on the Ribbon Reefs, Great Barrier Reef. Most of the days were spent hanging on the mermaid line, while multiple whales took turns swimming around us. Many times, they would come very close and look into my eyes. Little is known about these dwarf minke whales other than that they visit the northern Great Barrier Reef each winter. The behaviour of minkes seeking out human interaction is still a subject of ongoing scientific study and research. While the exact reasons for their behaviour are not fully understood, it is essential that responsible and respectful guidelines are always followed. By doing so, we allow the whales to have full control of the interactions, making each of those opportunities a privilege. I shared the trips with researchers from the Minke Whale Project, who they were collecting information for studying and monitoring these whales in order to better understand their population and conservation needs. It is important to continue research and conservation measures to ensure the long-term wellbeing of dwarf minke whales and their habitats.”

 

Portfolio – Bronze – “Blue Voices: Capturing Beauty and Driving Conservation Through the Lens” by Paula Vianna (Brazil)
 

Shooting Locations (clockwise from top-left): Raja Ampat, Indonesia; Raja Ampat, Indonesia; Ribbon Reefs, Great Barrier Reef; SS Yongala wreck, Queensland; South West Rocks, New South Wales; Lissenung Island, Papua New Guinea

Equipment and Settings (clockwise from top-left): Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-330 strobes, f/14, 1/160s, ISO 500; Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-330 strobes, f/14, 1/160s, ISO 400; Canon EOS 5D Mark III, Nauticam housing, f/4.5, 1/400s, ISO 400; Canon EOS 5D Mark III, Nauticam housing, 2x Inon Z-240 strobes, f/11, 1/125s, ISO 400; Canon EOS 5D Mark III, Nauticam housing, 2x Inon Z-240 strobes, f/11, 1/250s, ISO 400; Canon EOS 5D Mark III, Nauticam housing, 2x Inon Z-240 strobes, f/11, 1/200s, ISO 1600

Photographer’s Comment: “This portfolio captures the extraordinary diversity of marine life found in the waters of Australia, Indonesia, and Papua New Guinea. Each image was carefully selected to highlight the beauty of the ocean’s inhabitants and to foster a sense of connection and responsibility towards their preservation. The first image showcases a vibrant school of yellow snappers, their striking patterns a testament to the rich biodiversity of coral reefs. The second photo features a manta ray gliding over a colorful reef, a symbol of the diversity and balance necessary for the preservation of all life on Earth, including humanity. The third image features a dwarf minke whale, which visits the Ribbon Reefs of the northern Great Barrier Reef every year around June and July. Scientists are still unsure why these whales return to this spot annually, but it is thought that these curious, sentient mammals might be coming to see us, just as we go to see them. The fourth image is a behavior shot, capturing a rare interaction at the SS Yongala shipwreck in Australia, where a pink whipray rests atop a much larger smalleye stingray. This behavior, observed year after year at this dive site, suggests a generational passage of knowledge. In the fifth photo, a grey nurse shark with a fishing hook in its mouth challenges the perception of sharks as dangerous predators, highlighting instead the reality that humans kill hundreds of thousands of sharks annually. The tiny turtle hatchling in the final image was photographed during a turtle conservation project on Papua New Guinea’s Lissenung Island. Here, turtle eggs are collected, and the hatchlings are safely released to help increase turtle populations in the region. These images remind us of the intricate relationships within marine ecosystems and the urgent need to protect them. The portfolio aims not only to document the beauty of marine life but also to inspire a deeper appreciation and commitment to preserving these vital, yet vulnerable, environments.”

 

Portfolio – Honorable Mention – “Australian Treasures” by Jenny Stock (United Kingdom)
 

Shooting Locations (clockwise from top-left): Edithburgh, South Australia; Port Hugues, Adelaide, South Australia; Whyalla, South Australia; Jurien Bay, Western Australia; South West Rocks, New South Wales; Edithburgh, South Australia

Equipment and Settings (clockwise from top-left): Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-240 strobes, f/32, 1/125s, ISO 200; Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-240 strobes, f/32, 1/100s, ISO 320; Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-240 strobes, f/24, 1/250s, ISO 400; Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-240 strobes, f/18, 1/200s, ISO 400; Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-240 strobes, f/4, 1/125s, ISO 320; Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-240 strobes, f/32, 1/100s, ISO 320

Photographer’s Comment: “What a bountiful continent Australia is! The incredible underwater scenes in this awe-inspiring country are a treasure trove of astonishing delights. In the warm waters of Western Australia, you can have an thrilling time playing with the frisky sea lions in Jurien Bay. Jump to the east coast and you can hang out with the nurse sharks and wobbegongs in the amazing South West Rocks cave system. Head south and Adelaide has incredible offerings of animals. With a distinctly recognisable orange and yellow colour palette, this area yields some fascinating images, as demonstrated by a chilled-out orange nudibranch and a juvenile filefish peeping out from inside a feather duster worm. If you’re lucky, you can catch a glimpse of the elegant leafy seadragons in Rapid Bay. Once a year, you can bear witness to the annual mating of the giant cuttlefish in Whyalla—a sight so bizarre and inspiring that you can’t help but put the camera down and just watch. There are so many other fascinating animals in abundance around Australia; swimming with them has been such a privilege for me.”

 

Portfolio – Honorable Mention – “Dark Oceans” by Lewis Burnett (Australia)
 

Shooting Locations (clockwise from top-left): Geographe Bay, Western Australia; Fleurieu Peninsula, South Australia; Geographe Bay, Western Australia; Geographe Bay, Western Australia; Geographe Bay, Western Australia; Cape Naturaliste, Western Australia

Equipment and Settings (clockwise from top-left): Sony A1, Ikelite housing, 2x Inon Z-330 strobes, f/18, 1/250s, ISO 500; Sony A1, Ikelite housing, 2x Inon Z-330 strobes, f/8, 1/320s, ISO 250; Sony A1, Ikelite housing, 2x Inon Z-330 strobes, f/13, 1/320s, ISO 125; Sony A1, Ikelite housing, 2x Inon Z-330 strobes, f/11, 1/320s, ISO 125; Sony A7R Mark III, Ikelite housing, 2x Inon Z-330 strobes, f/5.6, 1/500s, ISO 800; Sony A1, Ikelite housing, 2x Inon Z-330 strobes, f/10, 1/250s, ISO 500

Photographer’s Comment: “This portfolio attempts to show the oceans as the dark and mysterious place they so often are. Exploring the kelpy bays and sandy shores of Australia’s great southern reef during a summer of night dives, I was able to capture many of the weird and wonderful critters that call the region home, including the calamari squid (Sepioteuthis australis), striped pyjama squid (Sepioloidea lineolata), Australian giant cuttlefish (Sepia apama), leafy seadragon (Phycodurus eques), and (Phyllopteryx taeniolatus).”

 

Sydney

Sydney – Gold – “Puff” by Talia Greis (Australia)
 

Shooting Location: Clifton Gardens, Mosman, Sydney

Equipment and Settings: Sony A1, Isotta housing, Inon Z-330 strobe, Backscatter OS-1 snoot via adapter, f/5, 1/250s, ISO 320

Photographer’s Comment: “This unusual, undocumented behaviour cannot be explained by even the most skilled of scientists, specialising in frogfish/anglerfish behaviour. I was experimenting with wide aperture photography at a local dive site when this striated anglerfish (clearly having devoured a huge meal) regurgitated a smoke-like substance. Never having witnessed such an occurrence, I sat and observed the behaviour for over an hour. Experts can only speculate that the angler had cannibalised an egg sac (intentionally or non-intentionally). This likely would have led to swelling of the stomach, causing the individual to cough up chunks of it at a time. Nature at its best.”

 

Sydney – Silver – “Depth Perception” by Rowan Dear (United Kingdom)
 

Shooting Location: Shelly Beach, Cabbage Tree Bay Aquatic Reserve, Sydney

Equi​pment and Settings: Sony A7 Mark IV, Ikelite housing, 2x Inon Z-330 strobes, f/14, 1/200s, ISO 320

Photographer’s Comment: “These jellyfish had been seen in their hundreds each of the last three years gathering in the bay at one of Sydney’s popular beaches. This particular year, there were more than I had ever seen, with some sections being several metres deep and densely populated. Swimming into the smack and shooting downwards into the deepest concentration of the jellies, I was hoping to create this otherworldly image with plenty of depth, showing just how many there were of them.”

 

Sydney – Bronze – “Pygmy Pipehorse Portrait” by Daniel Sly (Australia)
 

Shooting Location: Kurnell, Sydney

Equipment and Settings: Nikon D500, Nauticam housing, Inon Z-330 strobe, Retra LSD snoot, f/14, 1/2.5s, ISO 100

Photographer’s Comment: “Sydney’s pygmy pipehorse is an elusive and highly cryptic creature, endemic to the coral and algae-encrusted reefs surrounding Sydney. These well-camouflaged members of the Syngnathidae family are masters of disguise, often blending seamlessly with the substrate, making them particularly challenging to photograph. The goal for this image was to capture a clear angle with the blue water column as a backdrop. I had visited this specific individual several times in the preceding week, observing its behaviour and noting that it frequently sought refuge on a piece of soft coral at the edge of a large rock. This location offered an ideal opportunity for a low camera angle, allowing the pygmy pipehorse to stand out against its surroundings. The photograph was taken on an overcast afternoon, which provided a soft, deep blue hue to the water above. To emphasise the subject, I used a snooted strobe to illuminate only the pygmy pipehorse. A longer shutter speed combined with a gentle upward pan of the camera contributed to the final effect.”

 

Sydney – Honorable Mention – “Pot-bellied Seahorse Portrait” by Daniel Sly (Australia)
 

Shooting Location: Bare Island, Sydney

Equipment and Settings: Nikon D500, Nauticam housing, Inon Z-330 strobe, Retra LSD snoot, f/13, 1/2.5s, ISO 200

Photographer’s Comment: “During an early morning dive at Bare Island in Sydney’s Botany Bay, we encountered a pot-bellied seahorse seeking shelter in the centre of a cluster of sea tulips. The seahorse, with its distinctive rounded abdomen, was resting quietly as the sea tulips swayed around it in the current. To capture the subtle movement of the sea tulips while keeping the seahorse in focus, I chose a slightly longer shutter speed. This allowed the gentle motion of the water to blur slightly, giving a sense of the underwater environment. To ensure the seahorse remained the focal point of the image, I used a snooted strobe to direct light specifically onto it, highlighting its details while keeping the surrounding area in softer focus. The result was an image that clearly depicted both the seahorse and the dynamic setting it inhabited.”

 

Sydney – Honorable Mention – “Mating Pyjama Squid” by Daniel Sly (Australia)
 

Shooting Location: Clifton Gardens Wharf, Sydney

Equipment and Settings: Nikon D500, Nauticam housing, Inon Z-330 strobe, Retra LSD snoot, f/14, 1/60s, ISO 320

Photographer’s Comment: “As the sun sets over a busy wharf in the heart of Sydney Harbour, the atmosphere above the water gradually quiets, but beneath the surface, a different kind of activity is beginning. Two striped pyjama squid, easily recognisable by their distinctive black-and-white striped pattern, emerge from their sandy daytime refuge. Hidden away throughout the day, these nocturnal creatures wait for the cover of night to engage in their essential life processes. Striped pyjama squid are known to be a nocturnal species, spending daylight hours buried beneath the sand to avoid potential predators. As night falls, they emerge not only to mate but also to feed, making the most of the cover of darkness. Their appearance at dusk marks the beginning of their active period, where they fulfil the crucial tasks of finding food and reproducing, ensuring the continuation of their species.”

 

Over-Under

Over-Under – Gold – “Calm Tongan Nursery” by Jenny Stock (United Kingdom)
 

Shooting Location: Vava’u, Tonga

Equipment and Settings: Canon EOS 5D Mark II, Nauticam housing, 2x Inon Z-240 strobes, f/14, 1/125s, ISO 320

Photographer’s Comment: “Here a mother humpback whale and her new young calf are resting just below the surface in the calm, warm waters of Vava’u. Heavily pregnant female humpbacks arrive every year in July. After giving birth, they stay in this nursery setting until the calves are big enough to make their first trip to Antarctica. When taking split images, it is often wise to use a snorkel rather than dive on scuba, as you create fewer bubbles on the surface, which can be distracting in the image.”

 

Over-Under – Silver – “Baby Turtle” by Gabriel Guzman (Chile/Australia)
 

Shooting Location: Heron Island, Queensland

Equipment and Settings: Canon EOS 5DSR, Aquatica housing, f/7.1, 1/250s, ISO 320    

Photographer’s Comment: “Captured at Heron Island, a vital nesting site for sea turtles, this split shot reveals the moment of a baby turtle’s first swim after hatching. The image gracefully transitions between the shallow waters and the expansive horizon, showcasing the turtle’s journey from its birthplace to the vast ocean beyond. In capturing this moment, I took care to avoid using strobes or artificial light, respecting the delicate nature of these newborns. After taking a few photos, I allowed the hatchling to continue its journey without additional stress. This photograph is a tribute to the resilience and beauty of new life, highlighting both the significance of Heron Island and the responsibility of preserving its natural wonders.”

 

Over-Under – Bronze – “Tongan Volcano Sea Turtle Sunset” by Matt Testoni (Australia)
 

Shooting Location: Lady Elliot Island, Queensland

Equipment and Settings: Olympus OM-D E-M1 Mark II, Isotta housing, 2x Inon Z-330 strobes, f/6.3, 1/100s, ISO 1000

Photographer’s Comment: “Swimming in the shallow lagoon on Lady Elliot Island, it’s always an exciting moment when you see a turtle. This individual was casually cruising the reef whilst I swam nearby, waiting for the depth and light to be just right. Usually, the sunset doesn’t reach this part of the island, but rare volcanic activity in Tonga a few months earlier meant the sky often stretched the sunset right over the island, enveloping everything in a beautiful pink and purple light. Also, if you look closely, you can see a day octopus hiding in plain sight within the shot.”

 

Over-Under – Honorable Mention – “Turtle Island” by Paula Vianna (Brazil)
 

Shooting Location: Lissenung Island, Papua New Guinea

Equipment and Settings: Canon EOS 5D Mark III, Nauticam housing, 2x Inon Z-240 strobes, f/13, 1/250s, ISO 100

Photographer’s Comment: “This split shot, taken off Papua New Guinea’s Lissenung Island, features Ellie, a sea turtle rescued as part of Lissenung Island Resort’s conservation efforts. Ellie was found suffering from float disease, a condition that prevents turtles from diving and feeding properly. Through dedicated rehabilitation, she was restored to health and released back into the wild. The resort has been deeply committed to protecting turtle populations by collecting and hatching eggs from nearby islands. In the past, locals often harvested these eggs for food, but through community education, the resort has helped shift local practices. These efforts have contributed to increased turtle populations in Papua New Guinea, ensuring a brighter future for these vital marine animals.”

 

Over-Under – Honorable Mention – “Humphead Wrasse” by Gabriel Guzman (Chile/Australia)
 

Shooting Location: Saxon Reef, Great Barrier Reef

Equipment and Settings: Canon EOS 5DSR, Aquatica housing, 2x Inon Z-330 strobes, f/9, 1/200s, ISO 250

Photographer’s Comment: “Capturing both the underwater and above-water worlds in one frame is tricky, especially with a fish like the humphead wrasse. The key was waiting for the right moment when the wrasse was close enough to the surface, so I could show its vibrant colours both above and below the water. The calm conditions really helped, as they allowed the water’s surface to stay clear, creating a nice separation between the two views. Getting this shot right involved careful strobe positioning and adjusting my camera settings to make sure both the underwater scene and the sky above were properly exposed. This image shows the beauty of the humphead wrasse in its natural environment and the connection between the ocean and the world above.”

 

Smartphone

Smartphone – Gold – “Can I Help?” by Selanie Waddilove (Australia)
 

Shooting Location: Barunguba (Montague Island Nature Reserve)

Equipment and Settings: Apple iPhone 13 Pro, Aquatech housing, AxisGO bluetooth shutter grip, f/1.5, 1/120s, ISO 50

Photographer’s Comment: “Sometimes a photo is asking to be taken… The playful pose of this pup in contrast with the abandoned rope was both confronting and beautiful. Often the New Zealand fur seal pups at Baranguba will play tug of war and chase with drifting seaweed, letting it go to dive and spin around you and then picking it back up again before another pup can steal it. This early April morning, instead of seaweed, the pups were playing with some rope and other plastic debris that had been washed in by the swell and winds of the previous week. I snapped a few photos to capture their fun and gently tugged on the end of the rope, hoping to distract them with a game so I could eventually collect it. As the seals played, I gradually rolled it up in my hand and hid it in my wetsuit to be disposed of properly when we returned to shore.”

 

Smartphone – Silver – “Standing Frogfish” by Selanie Waddilove (Australia)
 

Shooting Location: Wagonga Inlet, Narooma

Equipment and Settings: Apple iPhone 13 Pro, Aquatech housing, AxisGO bluetooth shutter grip, f/1.8, 1/100s, ISO 32

Photographer’s Comment: “During a summer snorkel in Wagonga Inlet, Narooma, this black striated anglerfish was spotted moving slowly amongst the sea grass. The afternoon sun provided perfect lighting to highlight the amazing textures and details of this strange little creature. From the large, downturned mouth to the fascinating ‘lure’ and pectoral fins used to ‘walk’ the ocean floor, these fish are so interesting to see and photograph.”

 

Smartphone – Bronze – “The Grumpy Turtle” by Christopher Fletcher (Australia)
 

Shooting Location: Anda, Philippines

Equipment and Settings: Apple iPhone 15 Pro Max, SeaLife housing, 2x Scubalamp PV52T photo/video lights, f/1.8, 1/668s, ISO 80

Photographer’s Comment: “This photo was taken on a dive in Moalboal, Philippines. There were turtles everywhere! However, this one caught my eye as he was perched on a coral outcrop catching up on some sleep. When I turned on the dive lights, he raised his head as if to say, “How dare you interrupt my sleep?” The look was priceless. Once I captured the shot and turned off the lights, his head drooped as he went back to dreaming whatever turtles do...”

 

Environmental

Environmental – Gold – “Hitchhiker” by Emma Turner (Australia)
 

Shooting Location: Anilao, Phillipines

Equipment and Settings: Nikon D850, Seacam housing, Seacam 160D strobes, f/22, 1/250s, ISO 320

Photographer’s Comment: “Blackwater diving—drifting untethered over deep water in the dark of night with no visual reference other than a downline of lights hoping to glimpse the “otherworldly”—is my happy place. This female argonaut, actually an octopus with an egg case “shell”, emerged out of the blackness and zoomed past me. This was my opportunity. Was it riding a jellyfish like I’d hoped? As my eyes and camera focus, I wondered what it was actually riding. Metallic? Plastic? Both? A condom wrapper? Oh my gosh, a yoghurt lid! How sad for us both. Was this argonaut surfing humans’ litter right back out of its open ocean home or was it becoming so “normal” to see pollution that it mistook as organic?”

 

Environmental – Silver – “A Dog Toy or a Plastic Trap” by Andrii Slonchak (Australia)
 

Shooting Location Manta Bommie, North Stradbroke Island, QLD, Australia

Equipment and Settings: Canon EOS M50 Mark II, Ikelite housing, Ikelite DS160 II with dome diffusers, f/8, 1/125s, ISO 200

Photographer’s Comment: “During a dive at North Stradbroke Island, I suddenly noticed a wobbegong, charging towards me at full speed out of the cloud of lifted sediment. The shark had a bright piece of plastic around its neck. As I found later, our guide had spotted the shark entrapped in a plastic dog frisbee and attempted to remove the toy, but the startled wobbegong darted away. I had less than a second to grab this shot before the shark vanished. I’ve never seen this wobbegong again and kept wondering whether it managed to remove the toy or suffered a grim fate. Wobbegongs rely on blending in with their environment when hunting, and the bright frisbee would compromise this ability, leaving the shark vulnerable and potentially unable to ambush its prey. This photo highlights a critical environmental issue: the careless use of plastic dog toys at Australia’s beaches, as they often get swept into the ocean, endangering marine life. It serves as a reminder of the unintended consequences for the ocean of our everyday activities, urging us to reconsider our use of plastic and highlighting the importance of organisations dedicated to cleaning beaches of plastic like Take 3 For the Sea.”

 

Environmental – Bronze – “Fashion Victim” by Silke Stuckenbrock (Australia)
 

Shooting Location: Coral Sea, Australia

Equipment and Settings: Nikon D300, f/7.1, 1/800s, ISO 400

Photographer’s Comment: “After sailing for days to a remote coral quay at the edge of Australia’s Great Barrier Reef, a hermit crab appears on a seemingly pristine beach. Instead of a shell, she is carrying a large plastic lid. As hermit crabs grow, they look for bigger shells. Larger shells need to be renovated to be lighter, and this lid is both large and light. The crab seems content with her choice, though she would be much more easily extracted from her plastic home by a predator. Renovated shells often get passed around for generations, which highlights the importance of leaving shells on the beach and taking away plastic trash instead. With the evening light low, I too found a low angle, equipped with only my old but trusty DSLR, long lens and my hat as a lens support. This shot came together beautifully, the hermit crab remaining undisturbed, and the shallow depth of field allowing the subject to be focus of the image.”

 

Environmental – Honorable Mention – “The One That Got Away” by Silke Stuckenbrock (Australia)
 

Shooting Location: South West Rocks, New South Wales

Equipment and Settings: Nikon D300, Sea&Sea housing, Inon Z-240, f/5.6, 1/160s, ISO 500

Photographer’s Comment: “At the deep end of Fish Rock Cave, this grey nurse shark appears out of the haze. It quickly becomes clear that she is in trouble: She has been hooked and the hook in her jaw and her teeth are overgrown, suggesting she has not been able to feed for some time. My dive was part of Spot A Shark community-science programme, where images are used to support research, raise awareness and increase conservation efforts. Grey nurse sharks’ spots are unique to each individual and remain the same throughout their lives. One of the sharks I ID’d was sighted again 15 years later, 600 kilometres further north. To date, the pictured shark has not been resighted. Grey nurse sharks have one of the lowest reproduction rates in sharks. The Australian East Coast population of grey nurse sharks, which is genetically distinct, is listed as ‘Critically Endangered.’ The sharks are taken as bycatch in commercial and recreational fisheries as well as shark control programmes.”

 

Environmental – Honorable Mention – “What’s the Catch?” by Jenny Stock (United Kingdom)
 

Shooting Location: Edithburgh, South Australia

Equipment and Settings: Canon EOS 5D Mark IV, Nauticam housing, 2x Inon Z-240 strobes, f/7.1, 1/100s, ISO 160

Photographer’s Comment: “Whilst diving under the jetty at Edithburgh, I saw this poor ornate cowfish. In its mouth was a hook attached to a metre of plastic fishing line. I quickly took a couple of pictures and gave my camera to my buddy. I then attempted to catch the fish. It wasn’t hard to do: I grabbed the line and pulled the fish towards me. Once in my hands, the vulnerable cowfish was distressed and wriggling. Then my task became more challenging. Holding the writhing animal, I began to pull the very sharp hook out of its lip. This was not an easy task as the hook was firmly pushed through the skin and a fierce barb poked out of the other side. Eventually, ‘pop’! I got the hook out. The fish seemed surprised by the event, but it happily swam away as a free fish. I put the hook and line in my pocket, being careful not to cut myself, and disposed of the rubbish when I got to the surface.”

 

Australian

Australian – Gold – “Oblong” by Lewis Burnett (Australia)
 

Shooting Location: Darling Range Escarpment, Western Australia

Equipment and Settings: Sony A1, Ikelite housing, 2x Inon Z-330 strobes, f/13, 1/320s, ISO 500

Photographer’s Comment: “Photographing the bizarre and wonderful snake-necked turtle underwater had always been on my South-West diving wishlist. These fascinating reptiles are found in the freshwater bodies that scatter the region and are most commonly seen on land in the breeding season whilst they are searching for a mate. I found this particular individual on my first ever freshwater dive in the region and couldn’t have been happier to have such an obliging subject to photograph. ”

 

Australian – Silver – “Lionfish in Sunburst” by Gabriel Guzman (Chile/Australia)
 

Shooting Location: Coral Bay, Western Australia

Equipment and Settings: Canon EOS 5DSR, Aquatica housing, 2x Ikelite DS160 strobes, f/16, 1/200s, ISO 200

Photographer’s Comment: “I spotted a lionfish swimming near the surface. The conditions were ideal for capturing something truly special, so I knew I had to approach carefully. Holding my breath to avoid creating any bubbles that might disturb the pristine surface, I slowly maneuvered beneath the lionfish. As I positioned myself, I could see the sun’s rays piercing the water, illuminating the scene like a spotlight on a stage. With the lionfish framed perfectly against the sunburst, I began capturing the moment. The combination of the serene surface, the radiant sunbeams, and the majestic lionfish created one of my favourite sunburst photos I’ve ever taken.”

 

Australian – Bronze – “Leafy Seadragon in Profile” by Daniel Sly (Australia)
 

Shooting Location: Rapid Bay, South Australia

Equipment and Settings: Nikon D500, Nauticam housing, Inon Z-330 strobe, Retra LSD snoot, f/10, 1/4s, ISO 50

Photographer’s Comment: “This photograph was taken during a late afternoon dive beneath Rapid Bay Jetty, a location known for its high probability of coming across the holy grail of South Australian underwater photography: the leafy seadragon. To capture the intricate details of this leafy seadragon, a single snooted strobe was positioned on the right-hand side of the frame. This focused light was carefully directed to illuminate the leaf-like appendages of the animal, emphasising its delicate structure and natural camouflage against the darker surroundings. In addition to this lighting technique, a longer shutter speed and a subtle panning movement of the camera was employed. This technique created a soft, blurred background that contrasted with the sharp, detailed image of the seadragon, enhancing the sense of depth and movement in the scene.”

 

Australian – Honorable Mention – “Minke Whale” by Gabriel Guzman (Chile/Australia)
 

Shooting Location: Ribbon Reefs, Great Barrier Reef

Equipment and Settings: Canon EOS 5DSR, Aquatica housing, 2x Inon Z-330 strobes, f/8, 1/200s, ISO 400

Photographer’s Comment: “Capturing a close-up of a minke whale was a rewarding experience. During the trip, I spent a long time holding onto the lines at the surface, just waiting, while everyone else eventually went scuba diving as the whales didn’t show up. For me, it was all about the whales, so I decided to stay at the lines and keep waiting, even when I was the only one left. After about an hour, my patience paid off, as the only minke whale that day came right up to check me out. With no-one else around, it was just me and the whale, making the encounter even more special. This moment of connection allowed me to capture a truly remarkable photo.”

 

International Waters

International Waters – Gold – “Salamander” by Luc Rooman (Belgium)
 

Shooting Location: Antwerp, Belgium

Equipment and Settings: Nikon Z7II, Isotta housing, Backscatter Mini Flash MF-2, Backscatter Optical Snoot OS-1, f/22, 1/125s, ISO 100

Photographer’s Comment: “Every year, I dive into one of my beloved freshwater lakes, namely De Melle near Antwerp, to photograph the alpine newts among the water lilies. In July this year, I went looking again. After trying to photograph several specimens, I discovered one perched on a water lily, the body of the salamander producing an interesting silhouette through the leaf. After taking a series of shots, I left the creature alone and carefully moved on.”

 

International Waters – Silver – “Amphibian Tree” by Massimo Zannini (Italy)
 

Shooting Location: Bologna, Italy

Equipment and Settings: Nikon D850, Nauticam housing, Backscatter Mini Flash MF-1, Backscatter Optical Snoot OS-1, f/14, 1/50s, ISO 320

Photographer’s Comment: “In springtime in the mountains of northern Italy, toads mate in small pools of water like many other amphibians. I was taking some photos of this mating behaviour when for a few seconds a frog jumps on their backs, probably mistaking them for a rock. Surprised and amused, I had just enough time to take three shots before the frog was ejected by the male toad on top of the female.”

 

International Waters – Bronze – “Bond” by Vanessa Mignon (Australia)
 

Shooting Location: Argentina

Equipment and Settings: Canon EOS 5D Mark IV, Nauticam housing, f/4.5, 1/400s, ISO 200

Photographer’s Comment: “We were observing southern right whales in Argentina for a week. These slow-moving whales were heavily targeted by whaling boats due to their high oil content and the fact that they float when dead. They were the “right” whales to hunt. In the 1990s, they were classified as Vulnerable on the IUCN Red List. Thankfully, due to protections, their overall numbers have increased and they are now listed as Least Concern. During a few months every year, they visit Peninsula Valdes in Argentina to breed. There, they are heavily protected and there are strict regulations with respect to approaching them. It’s heart-warming to see how humans have reversed the trend, from killing these whales to now caring for them. It’s proof that we can change things for the better and save a species from extinction. That day we found a relaxed mother and calf. We approached them slowly in our boat, watching their behaviour. They were hardly moving. We decided to enter the water from a distance. We swam slowly towards them, often stopping so that they would get used to us—and they did. Initially, they looked at us and approached us, but after a while the mother slowly used her buoyancy to sink down and have a rest on the sand. Her calf stayed closed to her, leaning on her back.”

 

International Waters – Honorable Mention – “Mammal Connection” by Rita Kluge (Australia)
 

Shooting Location: Tonga

Equipment and Settings: Canon EOS R5, Aquatech housing, f/8, 1/160s, ISO 250

Photographer’s Comment: “In today’s world, it’s incredibly special to see that humpback whales still want to connect with us humans. This connection, shared between mammals, is one of the purest forms of interaction we can experience. Recently, I witnessed a breathtaking moment: a 10-metre, 35-ton female humpback whale slowly approaching my cinematographer friend, Spencer Frost. It was as if she recognised a kindred spirit, bridging the gap between our two worlds. The trust and curiosity shown by this magnificent creature created a moment that all three of us—Spencer, the whale, and myself—will never forget. It’s a powerful reminder of the shared bond we have with other mammals on this planet.”

 

International Waters – Honorable Mention – “Night Flight: Mobulas in Flight at Night” by Catherine Holmes (Australia)
 

Shooting Location: Los Islotes, La Paz, Mexico

Equipment and Settings: Nikon D500, Nauticam housing, 2x Retra Flash Pro, f/11, 1/3s, ISO 320

Photographer’s Comment: “Juvenile Munk’s devil rays congregate in the calm, protected waters around Los Islotes, a UNESCO Biosphere Marine Reserve near La Paz, Mexico. Snorkelling late into the night, we were able to experience the spectacle as hundreds of juvenile rays swirled in around our boat under the moonlight. This image shows the young mobulas arriving in squadrons, eager to feed on the unexpected plankton feast gathered around a green light hanging off the back of our boat. I used a slow shutter speed to capture their synchronised movement and graceful patterns as they flew through the darkness in search of food.”

 

Reels Showcase

 

Reels Showcase – Silver – “Nyinggulu Reef: A Testament of Conservation” by Robin Van Eecke (Australia)
 

Shooting Location: Ningaloo Reef, Western Australia

Equipment: Canon EOS R6, Ikelite housing, DJI Mavic 3 Pro

Videographer’s Comment: “For the past few months, I’ve had the privilege of calling the Ningaloo Reef my second home. Ningaloo’s health is a testament to both its natural resilience and the conservation efforts that protect it. It stands as a beacon of hope and a reminder of what’s possible when we prioritise the preservation of our natural world. It’s the largest fringing reef on Earth, providing a continuous habitat for marine life, making it a crucial refuge on our planet, where such places are becoming increasingly rare. While working on it, I’ve uncovered the beauty of this underwater paradise. I've been fortunate to witness the delicate balance of this ecosystem and capture it to share it with the rest of the world. Through this video, I hope to share not only the beauty of the Ningaloo Reef but to influence others to take care of our oceans as this footage shows what we are at risk of losing. I’m grateful I get to show this to a great diving and ocean lover community and hope they keep spreading our message to protect what we love.”

View Reel on Instagram

 

Reels Showcase – Bronze – “Shima in Lady Elliot” by Peter Ly (Australia)
 

Shooting Location: Lady Elliot Island, Queensland, Australia

Equipment: Sony A7S Mark III, Isotta housing, Scubapro V6K video lights

Videographer’s Comment: “An annual visit to the beautiful island of Lady Elliot, the home of the manta rays on the Great Barrier Reef. The video summarises six days of diving in 43 seconds, exploring the abundance of life that this tiny island has to offer—a place in the ocean that I have a deep connection with; a place I also call home.”

View Reel on Instagram